Kareena Kapoor gets steamy!

Kareena Kapoor shoots her steamiest love scene so far... with Arjun Rampal
Blame it on Vidya Balan's The Dirty Picture. In a bid to match the raunchy standards set by DP;Madhur Bhandarkar has taken the brakes of his Heroine.

A source informs, "Madhur shot a very steamy love scene between Kareena Kapoor and Arjun Rampal recently. It was a closed door affair with only the actors, DOP (director of photography); a couple of key assistants and the filmmaker."

One hears Kareena has in her 12-year-long career never shot for anything so intimate. Even her scene with Ajay Devgn in Omkara doesn't match up.

Arjun too hasn't been 'this intimate' with any heroine in his decade long career. Madhur himself who has been pushing the envelope in mainstream cinema is reluctant to discuss the scene in too much detail because it is "too early in the day." But he says, "The hot scene between Priyanka Chopra and Arjan Bajwa in Fashion was tame compared to the love-making scene in Heroine." Before signing off he adds, "The Fashion love making scene was vegetarian. This one will create a jalwa."

sources from: Tha times of india   

Kangna Ranaut follows Rekha, Smita's footsteps

Actress Kangna Ranaut, who plays John Abraham's girlfriend in " Shootout at Wadala", is in awe of her character in the underworld movie and says it is similar to what Smita Patiland Rekha did.
"I play John's love interest. My character is similar to the characters played by Smita Patil and Rekha in the 1970s and 1980s," the 24-year-old said here at a party organised for the film.
The National Award winning actress, who is working with John for the first time, is happy to have got the opportunity.
"John is a fabulous guy. He is very friendly, very sweet and I am surprised that we have not worked together yet. Now that we have got this opportunity, we are very happy," said the actress who entered Bollywood with the 2006 movie "Gangster - A Love Story".
In six years she has done films like "Life...in a Metro", "Once Upon A Time In Mumbaai", "Tanu Weds Manu" and "Fashion" that fetched her a National Award for the best supporting actress.
In "Shootout at Wadala", John plays gangster Manya Surve who was shot dead by the Mumbai police in 1982 and is the first-ever registered encounter, or shootout, by Mumbai Police.
Directed by Sanjay Gupta and co-produced by him and Balaji Telefilms, "Shootout at Wadala" also stars Sonu Sood, Manoj Bajpayee, Tusshar Kapoor, Ronit Roy and Mahesh Manjrekar.


sources from: Tha times of india 

North Face Jackets-rage this season

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Fashion Fever turns into Fashion Fear

Bollywood has its own version of judging a book by its cover - prettier the cover, the better the book. And by cover, we obviously mean the stylish evening gowns, swanky cars, pricey accessories and high-flying lifestyle.
The 'judging', however, comes with the lack of these things. And no actor wants to be at the receiving end. They're all too enthusiastic to flaunt their stunning stilettos, dazzling jewels and designer labels, whether on the red carpet, ramps, at parties or shows. But then comes the dreaded reality - the fashion police who's always on the prowl, whether it's a 'slip', a miss, too much or too less. All the beauties are given the final verdict. This week, Bollywood Big Story debates 'Kyun Fashion Fever Bana Fashion Fear?'
Tune in to Bollywood Big Story this Saturday, Febryary 25 at 12:30 pm only on zoOm - India's No 1 Bollywood channel.
Bipasha Basu, Actor: "Showbiz is all about looking good, everybody retains their style statements. But I don't take any pressure about dressing up."

Kareena Kapoor, Actor: "Being casual is more stylish than those fashion labels and evening gowns, it's all in the attitude."

Raveena Tandon, Actor: "Fashion faux pas, and the style police is a new trend. It was easier back in our day. We'd wrap a shoot and head to the awards. There's a lot of media attention today."


sources from: Tha times of india

Prateik, Amy not ashamed to be linked

Talk about being brutally honest, Bips isn't the only one who's great at that. Even the younguns know how to cut the c**p and get to the point. No diplomacies, no political correctness and no 'right' answers.
For instance, the bold and beautiful jodi Prateikand Amy Jackson.
The lovely couple was at the zoOm studios to promote their film, and when quizzed about their alleged link-up, Prateik nonchalantly confessed, "Rumours are bound to do the rounds. We're super close, and we have a great chemistry. Amy is gorgeous, and we're not ashamed to be linked!"
Amy quickly added, "Prateik is my best friend in Mumbai and we're pretty close. As far as rumours go, you can't stop them, you just have to be thick-skinned."
Now that's a refreshing change... a couple that doesn't plainly deny it. Kudos!

sources from: Tha times of india

Bollywood posters go dare bare with women

Chiselled abdomens, cleavage, the body contour...Bollywood filmmakers are zooming in on women's curves to create titillating posters, aimed at crucial first week collections, perhaps emboldened by today's liberal censors.
The first look of Vikram Bhatt's production "Hate Story" creates a mystery about the woman in the picture but sends out the right message about the film's content - bold and daring. It has a mystery girl with her bare, tattooed back visible and a gun placed strategically at the back of her jeans.
" 'Hate Story' is a brave film. Of course, everyone wants eyeballs for the film, but one can't have a sizzling poster and then have nothing inside the film. I feel the poster is a very tame representation of a film and so I have to say that 'Hate Story' is really brave and pathbreaking in its content," Bhatt told IANS.
Until the "Hate Story" poster was launched Wednesday, the first look of Mahesh and Mukesh Bhatt's "Jism 2" and "Blood Money" were the talk of the tinsel town.
Film historian S.M.M. Ausaja, who has a book "Bollywood In Posters" to his credit, has an interesting observation.
"Over the years, it is the first week's collections that matter the most now. All filmmakers are desperately trying to cover their costs in their first week. To cover that, they uncover women in posters," Ausaja told IANS.
"Titillating through posters is not a new thing. Years ago there was a movie called 'Chetna'. It had a very bold poster. But I feel now the film industry has come to a stage where even if it has 10 percent sensual content, filmmakers try to cash in on it with such gimmicks."
The peekaboo into "Jism 2", a movie which promises to be more sensual than its prequel "Jism", has a well-endowed woman, Indo-Canadian porn star Sunny Leone, lying naked with a wet white sheet covering her. The shot is bold, yet subtly seductive -- enough to generate curiosity.
While the poster of "Blood Money" is more direct and in-the-face, with Amrita Puri dressed in a bikini, striking a suggestive pose with a bare-chested Kunal Khemu, and both lying in a pool of money.
In recent times, Bollywood has seen an array of films with suggestive posters: " The Dirty Picture", "Sahib Biwi Aur Gangster", "Dum Maaro Dum", "Dev D", "Kurbaan", "Julie", "Paap", "Sins" and the long-awaited "Rang Rasiya".
"The Dirty Picture" had bold and beautiful Vidya Balan in a cleavage-baring, itsy-bitsy red blouse, standing undaunted even as three men - Naseeruddin Shah, Tusshar Kapoor and Emraan Hashmi - were clicked too close for comfort in the poster.
Dusky beauty Deepika Padukone's wild side was unleashed when the first look of "Dum Maaro Dum" was unravelled. The poster had a zoomed in side look at her washboard abs, and her long, curly tresses resting stylishly over her bosom.
Kareena Kapoor bared her toned back for the poster of "Kurbaan", in which she was seen getting up, close and personal with her beau Saif Ali Khan.
The poster of Emraan Hashmi-Jacqueline Fernandes-starrer "Murder 2" was steamy too, and so was the glimpse into Ketan Mehta's "Rang Rasiya", with Randeep Hooda and Nandana Sen seen in a suggestive position.
Bhatt notes: "Bollywood per se has always flirted with the bold film. But now with liberal censors, people are able to try bolder stuff -- adult content for an audience that is not judgmental, for an audience that is not embarrassed to watch sensuality."

sources from: Tha times of india

Don't call me chocolaty: Rishi Kapoor

High on the success of "Agneepath", when actor Rishi Kapoor was in the capital recently, he told an amused audience that it'd be better for his rooh if they call him romantic instead of chocolaty, though he preferred the term 'whisky role'. 

On 'Agneepath' Main pehle yeh picture nahi kar raha tha. Par shukar karein ki humari film toh chali aur humari izzat bach gayi. I told Sanju you're the main villain and I'm your sidekick. Picture zarur chalni chahiye. We're very glad that the film is doing so well. The thing is, you have worked in a film in which people didn't expect that you could do such a role. People are shocked ki Rishi Kapoor ne aisa kaam kiya. We are happy ki main aur Sanju kharab aadmi hain, lekin picture achchi hai.

Somebody asked me online that this Rauf Lala in "Agneepath" is a Muslim bad man, isn't that casteist? But I told them that the main antagonist of the film is a Hindu who recites shlokas from the Gita, so there's nothing like being casteist. We are very secular in our thinking.

On his role being chopped There was a scene that even I felt shouldn't have been there. I play a kasai in the film jo bakri ke daant dikha ke bechta hai. Aur ek scene mein main ek ladki ke daant dikha ke usko bechta hoon, which was, I think, very derogatory. I'm glad the censor board cut it out. So isme maine hasi-mazak kar diya ki ek toh role chota sa hai, usme bhi tumne aur chota kar diya.

On doing a negative role when he was young Jaise bachcha ma ka kajal laga ke daadhi mooch bana ke darane ki koshish karta hai, waise lagta main. Main jab chocolaty tha, toh kaise daraata Rauf Lala ke role mein?

On remaking PrithviRaj Kapoor's films Meri tauba, we can't do what he's already done before. We cannot make such legendary epics. What he has done should be kept for posterity.

On remakes Apna apna nazariya hai. Karan made "Agneepath" because his father had made it 22 years back, and it didn't work that well. It was a cult film, but he was very disheartened that it didn't work. After so many years, a new director gave him his version of the film, and he wanted to fulfill his father's dream. Remakes don't mean an exact copy. Even this film was moulded, like my character wasn't there in the original film. So I had no reference point. See, world mein kahaniyan toh saath-aath hi hain, problems toh woh hi hain. Humein banana toh wahi padta hai, so I don't think there's any harm if you can dabble with remakes.

On Bollywood not doing well internationally Perhaps when we design our films we keep in mind the mathematics of the film. Meaning humein gaane bhi chahiye, romance bhi chahiye. Ab woh zamaana chala gaya jahaan villain hote the, maar dhaad hoti thi, comedian hota tha. So when you design a film to incorporate all these things, the story gets lost on an international platform. Hum desion ko ye bahut pasand hai. Humari sabhyata mein naach gaana hai. It's part of our ethos. Gaana to humare maran janam, har jagah mein hai. So we Indians want to live by that. To compete internationally we have to alienate ourselves from this, and this we cannot do. We basically pitch our films for the Indian audience.

Being a character actor Because of many socio-economic reasons, our films are changing. Earlier we wanted to make films that reached out to the autowalas, to paanwalas. But now because of the multiplexes mushrooming everywhere, where tickets are so expensive, people who are expected to buy them are expected to like a different kind of cinema.

So when you don't make the routine stuff, senior actors are wielded into the plots to appeal to a wider audience. Jaise pehle zamane mein har actor ke paas do-teen films hoti thi. Bachpan mein bichde, climax mein mile. But those things have changed now. Aur meri journey toh abhi shuru hui as far as being a character actor goes. I'm a very big optimist. Isse better time kya hoga? You cannot rest on your past laurels. Kaam to ab achcha hone wala hai.